“What do you say to taking up our game where we left off? I was winning, you will recall.'Winning, for all love: how your ageing memory does betray you, my poor friend,' said Stephen, fetching his 'cello. They tuned, and at no great distance Killick said to his mate, 'There they are, at it again. Squeak, squeak; boom, boom. And when they do start a-playing, it's no better. You can't tell t'other from one. Never nothing a man could sing to, even as drunk as Davy's sow.'I remember them in the Lively: but it is not as chronic as a wardroom full of gents with German flutes, bellyaching night and day, like we had in Thunderer. No. Live and let live, I say.'Fuck you, William Grimshaw.”

“Oh well,' said Jack: and then, 'Did you ever meet Bach?''Which Bach?''London Bach.''Not I.''I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.''Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.''And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.''A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?''I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.”

“I cannot understand the principle at all,' said Stephen. 'I should very much like to show it to Captain Aubrey, who is so very well versed in the mathematics and dynamics of sailing. Landlord, pray ask him whether he is willing to part with the instrument.'Not on your fucking life,' said the Aboriginal, snatching the boomerang and clasping it to his bosom.He says he does not choose to dispose of it, your honour,' said the landlord. 'But never fret. I have a dozen behind the bar that I sell to ingenious travelers for half a guinea. Choose any one that takes your fancy, sit, and Bennelong will throw it to prove it comes back, a true homing pigeon, as we say. Won't you?' This much louder, in the black man's ear.Won't I what?'Throw it for the gentleman.'Give um dram.'Sir, he says he will be happy to throw it for you; and hopes you will encourage him with a tot of rum. (pp. 353-354)”

“Were you ever in Elsinore, Mr Jagiello?’ asked Jack.Oh, many a time, sir,’ said Jagiello. ‘I know it well. I believe I could show you Hamlet’s grave from here.’I was really wondering whether they had ten or thirteen inch mortars on the upper terrace,’ said Jack, ‘but I should be very happy to see Hamlet’s grave as well.’Both ten and thirteen, sir. And if you go a little to the right from the farthest turret, there are some trees: and among those trees there is the grave. You can just make out the rocks.’So there he lies,’ said jack, his telescope leveled. ‘Well, well: we must all come to it. But it was a capital piece, capital. I never laughed so much in my life.’A capital piece indeed,’ said Stephen, ‘and I doubt I could have done much better myself. But, do you know, I have never in my own mind classed it among the comedies. Pray did you read it recently?’I never read it at all,’ said Jack. ‘That is to say, not right through. No: I did something better than that—I acted in it. There, the upper terrace fires. I was a midshipman at the time.”

“They were looking after themselves, living with rigid economy; and there was no greater proof of their friendship than the way their harmony withstood their very grave differences in domestic behaviour. In Jack's opinion Stephen was little better than a slut: his papers, odd bits of dry, garlic'd bread, his razors and small-clothes lay on and about his private table in a miserable squalor; and from the appearance of the grizzled wig that was now acting as a tea-cosy for his milk-saucepan, it was clear that he had breakfasted on marmalade.Jack took off his coat, covered his waistcoat and breeches with an apron, and carried the dishes into the scullery. 'My plate and saucer will serve again,' said Stephen. 'I have blown upon them. I do wish, Jack,' he cried, 'that you would leave that milk-saucepan alone. It is perfectly clean. What more sanitary, what more wholesome, than scalded milk?”

“I do not say that all lawyers are bad, but I do maintain that the general tendency is bad: standing up in a court for whichever side has paid you, affecting warmth and conviction, and doing everything you can to win the case, whatever your private opinion may be, will soon dull any fine sense of honour. The mercenary soldier is not a valued creature, but at least he risks his life, whereas these men merely risk their next fee.”

“When Jack came in he found him sitting before a tray of bird's skins and labels. Stephen looked up, and after a moment said, 'To a tormented mind there is nothing, I believe, more irritating than comfort. Apart from anything else it often implies superior wisdom in the comforter. But I am very sorry for your trouble, my dear.''Thank you, Stephen. Had you told me that there was always a tomorrow, I think I should have thrust your calendar down your throat.”