“I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.”
“Then, slowly, my feet settled to the ground. Before I had taken six steps I sagged like a sail when the wind fades. As I walked back through the town, past sleeping houses and dark inns, my mood swung from elation to doubt in the space of three brief breaths.I had ruined everything. All the things I had said, things that seemed so clever at the time, were in fact the worst things a fool could say. Even now she was inside, breathing a sigh of relief to finally be rid of me.But she had smiled. Had laughed.She hadn't remembered our first meeting on the road from Tarbean. I couldn't have made that much of an impression on her.'Steal me,' she had said.I should have been bolder and kissed her at the end. I should have been more cautious. I had talked too much. I had said too little.”
“It was only then I realized I didn't know the name of Elodin's class. I leafed through the ledger until I spotted Elodin's name, then ran my finger back to where the title of the class was listed in fresh dark ink: "Introduction to Not Being a Stupid Jackass."I sighed and penned my name in the single blank space beneath.”
“I took a deep breath, 'I took the nahlrout because I didn't want to faint. I needed to let them know they couldn't hurt me. I've learned that the best way to stay safe is to make your enemies think you can't be hurt.' It sounded ugly to say it so starkly, but it was the truth. I looked at him defiantly.”
“There is something powerfully beguiling about the excited eyes of a young woman. They can pull all manner of nonsense out of a foolish young man, and I was no exception to this rule.”
“What do you know of poetry?” Ambrose said without bothering to turn around. “I know a limping verse when I hear it,” I said. “But this isn’t even limping. A limp has rhythm. This is more like someone falling down a set of stairs. Uneven stairs. With a midden at the bottom.” “It is a sprung rhythm,” he said, his voice stiff and offended. “I wouldn’t expect you to understand.” “Sprung?” I burst out with an incredulous laugh. “I understand that if I saw a horse with a leg this badly ‘sprung,’ I’d kill it out of mercy, then burn its poor corpse for fear the local dogs might gnaw on it and die.”