“Why are you smiling?''I'm relieved,' I said honestly. 'I was worried I'd given myself cadmium poisoning, or I had some mysterious disease. This is just someone trying to kill me.”

“In the hours that followed, I learned that Ademic hand gestures did not actually represent facial expressions. It was nothing so simple as that. For example a smile can mean you're amused, happy, grateful, or satisfied. You can smile to comfort someone. You can smile because you're content or because you're in love. A grimace or a grin look similar to a smile, but they mean entirely different things.Imagine trying to teach someone how to smile. Imagine trying to describe what different smiles mean and when, precisely, to use them in conversation. It's harder than learning to walk.”

“I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.”

“Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek."I smiled my best smile of the day. "Hello Auri," I said. "You smell like apretty young girl.""I do," she agreed happily.She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked."What did you bring me?" I countered.She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce.""It's a clever lettuce then.""Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?""Even if it is a lettuce?" I asked."Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater.I unwrapped my bundle. "I brought you some potatoes, half a squash,and a bottle of beer that thinks it is a loaf of bread.""What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back"It knows it's a squash," I said. "But it's pretending to be the setting sun.""And the potatoes?" she asked."They're sleeping," I said. "And cold, I'm afraid."She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.”

“I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.”

“I know," she said. "You have a stone in your heart, and some days it's so heavy there is nothing to be done. But you don't have to be alone for it. You should have come to me. I understand.”

“What do you know of poetry?” Ambrose said without bothering to turn around. “I know a limping verse when I hear it,” I said. “But this isn’t even limping. A limp has rhythm. This is more like someone falling down a set of stairs. Uneven stairs. With a midden at the bottom.” “It is a sprung rhythm,” he said, his voice stiff and offended. “I wouldn’t expect you to understand.” “Sprung?” I burst out with an incredulous laugh. “I understand that if I saw a horse with a leg this badly ‘sprung,’ I’d kill it out of mercy, then burn its poor corpse for fear the local dogs might gnaw on it and die.”