“Stories live in your blood and bones, follow the seasons and light candles on the darkest night-every storyteller knows she or he is also a teacher..”

“Life Lesson 8: Change is always hard, but time softens the rough edges and eases the pull of the past. Eventually, we all climb out from under the bed, and even the most unfamiliar places begin to feel like home.”

“Life Lesson 3: You can't rush grief. It has its own timetable. All you can do is make sure there are lots of soft places around -- beds, pillows, arms, laps.”

“Do not fear the story you do not yet know or understand. Come to the Author of your life and the Word spoken for you, so that a new story can be written.” Divine Possibilities”

“Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot.Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm....The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)”

“Each morning, when you awaken, promise the dawn that you'll keep your heart as light as a feather. Commit again each night at sunset.”

“That night was my first exposure to the life I was supposed to be living at my age. I dont know, I didn't get it. "You'll get a job, hate your life, and you'll want to drink too!"-they always say.”