“The light poured through the windows upon his photographs and the poem of us sitting together a last time. Robert dying: creating silence. Myself, destined to live, listening closely to a silence that would take a lifetime to express.”

“Robert was concerned with how to make the photograph, and I with how to be the photograph.”

“I was attracted to Robert's work because his visual vocabulary was akin to my poetic one, even if we seemed to be moving toward different destinations. Robert always would tell me, "Nothing is finished until you see it.”

“I understood that what matters is the work: the string of words propelled by God becoming a poem, the weave of color and graphite scrawled upon the sheet that magnifies His motion. To achieve within the work a perfect balance of faith and execution. From this state of mind comes a light, life-changed.”

“For a time Robert protected me, then was dependent on me, and then possessive of me. His transformation was the rose of Genet, and he was pierced deeply by his blooming.”

“Yet you could feel a vibration in the air, a sense of hastening. It had started with the moon, inaccessible poem that it was. Now men had walked upon it, rubber treads on a pearl of the gods. Perhaps it was an awareness of time passing, the last summer of the decade. Sometimes I just wanted to raise my hands and stop. But stop what? Maybe just growing up.”

“Your work, coming from a fluid source, can be traced to the naked song of your youth. You spoke then of holding hands with God. Remember, through everything, you have always held that hand, grip it hard, Robert, and don't let go.(letter to Robert Mapplethorpe, 1970)”