“Within that moment was trust, compassion, and our mutual sense of irony. He was carrying death within him and I was carrying life. We were both aware of that, I know.”
“For life is the best thing we have in this existence. And if we should desire to believe in something, it should be a beacon within. This beacon being the sun, sea, and sky, our children, our work, our companions and, most simply put, the embodiment of love.”
“Actually, the only time I ever tried to cultivate being sexy was when I read Peyton Place. I was about sixteen and I read that this guy's watching this woman walk and he can tell she's a good fuck by the way she walks. It's a whole passage. He's telling Allison McKenzie, "I know you're a virgin." And she says, "Well, how?" And he says, "I can tell by the way you walk." And I thought, Uh-oh, everybody knows! I was ashamed to be a virgin, so I tried to cultivate a fucked walk. I tried to figure out what it looked like. I figured I'd watch any hot woman I could. I mean, look at Jeanne Moreau. You watch her walk across the street on the screen and you know she's had at least a hundred men. (Penthouse interview, 1976)”
“We never had any children," he said ruefully. "Our work was our children.”
“We used to laugh at our small selves, saying that I was a bad girl trying to be good and that he was a good boy trying to be bad. Through the years these roles would reverse, then reverse again, until we came to accept our dual natures. We contained opposing principles, light and dark.”
“We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity. We would call forth in our minds the image of Paul Revere, riding through the American night, petitioning the people to wake up, to take up arms. We too would take up arms, the arms of our generation, the electric guitar and the microphone.”