“Every zombie story is fundamentally about a breakdown of order, with the infrastructure intact. That infrastructure might be on fire, yes.”

“Zombies can't believe the energy we waste on nonfood pursuits.”

“I suspected, around the time I graduated college, that we're all versions of targets, fired at by indifferent events. If that was the case, then I wanted to be a moving target.”

“Roddy the assistant manager lived in the theater. He'd emptied out one of the supply closets. He'd installed an inflatable mattress, a Shower Anywhere portable shower, and a wee television. He slept amid the powdered-butter fumes and empty drink-syrup tanks. He had grub-white skin and Goth circles under his eyes that, unlike those of Goths, came from really, truly existing half in the world of the dead. He smelled like carpeting, Scotch tape, and steak sauce. He was almost forty but had one of those half mustaches that thirteen-year-olds have. He was the closest thing to a zombie I've yet encountered in this world.”

“I'm sitting at the bar, rearranging the order of my jokes. I'm under the delusion that I'm having bad shows because of some cosmic misalignment of words, phrases, and ideas. I may as well have cast runes into a spirit bowl, hoping that the collective heart of the audience would open to my necromantic call. Maybe that's how jugglers do it. Those guys never have shitty sets.”

“That shit [religion] was going on all over the planet. They would tell them about sky cookies, or sky pie, or sky baklava. And as each of these civilizations grew, they built ships; they'd go visit each other, and the one guy would walk off the boat and go,'Hey, did you hear the good news about the sky baklava?' and the first guy went,'It's CAKE, motherfucker! You're dead!”

“Eight people show up. The emcee is warm, friendly, and about as funny as Shoah. I take the stage to the sound of, my hand to God, one person clapping once and only once, and then I start into my act.”