“No, she can weather his disappointments if she has to, that isn't the problem, she can put up with anything as long as she feels he is solidly with her, but that is precisely what she doesn't feel anymore, and even if he seems content to glide along with her out of old habits, the reflex of old affections, she is becoming ever more certain, no, certain is probably too strong a word for it, she is becoming ever more willing to entertain the idea that he has stopped loving her.”

“She's thinking that what she's been doing all these years isn't what she wants to do anymore. Sometimes music flows to her and from her, but sometimes it doesn't. Lately that happens more and more, and she can't seem to find what she had and what made her special. But she can't tell her father because he'd be so disappointed in her, so disappointed to find out she's not extraordinary after all.”

“He read disappointment at his response and wondered if she realized that she expected a certain amount of effusive sympathy from the people she told. Rejecting that sympathy made her feel strong, compensating for what she perceived as her weakness. He suspected that the disease was the first time she hadn't been able to make everything come out all right through the sheer determination that it would be.”

“She had grown older. And he loved her more now than he had loved her when he understood her better, when she was the product of her parents. What she was now was what she herself had decided to become.”

“And it was why he loved her. One of the reasons, anyway. Because he also loved her brattycomebacks. He loved the way she put her entire self behind whatever she was doing, even if she had noidea what she was doing and was getting it all wrong. He loved the way she danced as if she wasconnected to the clouds and the sun and the rainbows.And he loved that she’d stormed into his life and turned everything upside down before he ever hada chance to stop her.”

“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.”