“They are the efforts of someone who, overarced by stars that are human handiwork, and who, shelterless in this till now undreamt of sense and thus most uncannily in the open, goes with his very being into language, reality-wounded and reality-seeking.”

“A poem, as a manifestation of language and thus essentially dialogue, can be a message in a bottle, sent out in the –not always greatly hopeful-belief that somewhere and sometime it could wash up on land, on heartland perhaps. Poems in this sense too are under way: they are making toward something. Toward what? Toward something standing open, occupiable, perhaps toward an addressable Thou, toward an addressable reality.”

“Reality is not simply there, it does not simply exist: it must be sought out and won.”

“Speak you too,speak as the last,say out your say.Speak-But don’t split off No from Yes.Give your say this meaning too:Give it the shadow.Give it shadow enough,Give it as muchAs you know is spread round you fromMidnight to midday and midnight.Look around:See how things all come alive-By death! Alive!Speaks true who speaks shadow.But now the place shrinks, where you stand:Where now, shadow-stripped, where?Climb. Grope upwards.Thinner you grow, less knowable, finer!Finer: a threadThe star wants to descend on:So as to swim down beliow, down hereWhere it sees itself shimmer:in the swellOf wandering words.”

“Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss.”

“With wine and being lost, withless and less of both:I rode through the snow, do you read meI rode God far--I rode Godnear, he sang,it wasour last ride overthe hurdled humans.They cowered whenthey heard usoverhead, theywrote, theylied our neighinginto one of theirimage-ridden languages.”

“Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?”