“Everything is made to perish; the wonder of anything at all is that it has not already done so. No, he thought. The wonder of anything is that it was made in the first place. What persists beyond this cataclysm of making and unmaking?”

“Hands, teeth, gut, thoughts even, were all simply more or less convenient to human circumstance, as my father was receding from human circumstance, so, too, were all of these particulars, back to some unknowable froth where they might be reassigned to be stars or belt buckles, lunar dust or railroad spikes. Perhaps they already were all of these things and my father's fading was because he realized this: My goodness, I am made from planets and wood, diamonds and orange peels ...”

“...why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simply even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this.”

“There was a moment of sorrow, disappointment, and deep love for his son, whom he at that second wished had had a chance of real escape. Never mind why or whether or who or what consequence or ramification--the wake of sorrow and bitterness and resentment you would trail behind you, probably mostly for me--I just wish that you had made it beyond the bounds of this cold little radius, that when the archaeologists brush off this layer of our world in a million years and string off the boundaries of our rooms and tag and number every plate and table leg and shinbone, you would not be there; yours would not be the remains they would find and label juvenile male.”

“I just wish that you had made it beyond the bounds of this cold little radius, that when the archaeologists brush off this layer of our world in a million years and string off the boundaries of our rooms and tag and number every plate and table leg and shinbone, you would not be there; yours would not be the remains they would fine and label juvenile male; you would be a secret, the existence of which they would never even be aware to try to solve.”

“My goodness, I am made from planets and wood, diamonds and orange peels, now and then, here and there; the iron in my blood was once the blade of a Roman plow; peel back my scalp and you will see my cranium covered in the scrimshaw carved by an ancient sailor who never suspected he was whittling at my skull — no, my blood is a Roman plow, my bones are being etched by men with names that mean sea wrestler and ocean rider and the pictures they are making are pictures of northern stars at different seasons, and the man keeping my blood straight as it splits the soil is named Lucian and he will plant wheat, and I cannot concentrate on this apple, this apple, and the only thing common to all of this is that I feel sorrow so deep, it must be love, and they are upset because while they are carving and plowing they are troubled by visions of trying to pick apples from barrels.”

“What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.”