“What of miniature boats constructed of birch bark and fallen leaves, launched onto cold water clear as air? How many fleets were pushed out toward the middles of ponds or sent down autumn brooks, holding treasures of acorns, or black feathers, or a puzzled mantis? Let those grassy crafts be listed alongside the iron hulls that cleave the sea, for they are all improvisations built from the daydreams of men, and all will perish, whether from the ocean siege or October breeze.”

“A narrow pond would form in the orchard, water clear as air covering grass and black leaves and fallen branches, all around it black leaves and drenched grass and fallen branches, and on it, slight as an image in an eye, sky, clouds, trees, our hovering faces and our cold hands.”

“All of the waves and waters hastened, suffering, towards goals, many goals, to the waterfall, to the sea, to the current, to the ocean and all goals were reached and each one was succeeded by another. The water turned into vapour and rose, became rain and came down again, became spring, brook and river, changed anew, flowed anew.”

“How I wish I were by the sea again.This slack season the men must be paintingthe hulls of the boats or sleeping the noon away.I would not sleep if I were they.”

“The railing of the balcony was cold but the blue-black night air was so warm in October, in Florida, it felt as if it could hold you, all that wetness like a blanket of kisses.”

“And, sure enough, saturation begins--the staedy work of seeps and springs. Then, suddenly, cottonwoods and willows spring from the sand, their leaves gyrating into a byzantine mosaic of greens. Birds, frogs, and insects trill out brilliant improvisations--a kind of critter jazz. And as the water gathers substance, there is the ballet of tadpoles and water skeeters across the face of clear ponds.”