“Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my travel books, people say to me, "I went there"---China, India, the Pacific, Albania-- "and it wasn't like that." I say, "Because I am not you.”

“Where I went in my travels, it's impossible for me to recall. I remember the sights and sounds and smells clearly enough, but the names of the towns are gone, as well as any sense of the order in which I traveled from place to place.”

“My sleep wasn't peaceful, though. I have the sense of emerging from a world of dark, haunted places where I traveled alone.”

“To what place can I invite you, then, since I am in you? Or where could you come from, in order to come into me? To what place outside heaven and earth could I travel, so that my God could come to me there, the God who said, I fill heaven and Earth?”

“My travels have been numerous, though no topographer could chart the shores I have landed upon. For it is not places that have been my destination, but women. I am drawn to them by a force I have never questioned. To their infinite variety of charms I am helpless. But the hold of none has been strong enough to keep me from wandering aimlessly to others.”

“It is my hope that this book will help to demystify the origins of travel writing and show that when thousands of travelers follow a guidebook word-for-word, recommendation-for-recommendation, it not only harms contemporary international travel but can also do serious harm to places in developing countries.”