“Power without abuse loses its charm.”

“This, dear Phaedrus, is the most important point: no geometry without the word. Without it, figures are accidents, and neither make manifest nor serve the power of the mind.”

“I believed, rather more accurately, that a work resolutely thought out and sought for in the hazards of the mind, systematically, and through a determined analysis of definite and previously prescribed conditions, whatever its value might be once it had been produced, did not leave the mind of its creator without having modified him, and forced him to recognize and in some way reorganize himself. I said to myself that it was not the accomplished work, and its appearance and effect in the world, that can fulfill and edify us; but only the way in which we have done it.”

“The stranger’s way of looking at things, the eye of a man who does not recognize, who is beyond this world, the eye as frontier between being & non-being — belongs to the thinker. It is also the eye of a dying man, a man losing recognition.”

“I am not averse to generalizing the notion of "modern" to designate a certain way of life, rather than making it purely a synonym of 'contemporary'. There are moments and places in history to which 'we moderns' could return without too greatly disturbing the harmony of those times, without seeming objects infinitely curious and conspicuous... creatures shocking, dissonant, and unassailable.”

“All our language is composed of brief little dreams; and the wonderful thing is that we sometimes make of them strangely accurate and marvelously reasonable thoughts. What should we be without the help of that which does not exist? Very little. And our unoccupied minds would languish if fables, mistaken notions, abstractions, beliefs, and monsters, hypotheses, and the so-called problems of metaphysics did not people with beings and objectless images our natural depths and darkness. Myths are the souls of our actions and our loves. We cannot act without moving towards a phantom. We can love only what we create.”

“Degas is one of the very few painters who have given the floor its true importance.”