“That which has always been accepted by everyone, everywhere, is almost certain to be false.”

“Everything has not been lost, but everything has sensed that it might perish.”

“You have made yourself an island of time, you are a time that has become detached from that vast Time in which your indefinite duration has the subsistence and eternity of a smoke-ring.”

“Anxious to know, yet only too happy to ignore, we seek in what is, a remedy for what is not; and in what is not a relief from what is. Now the real, now illusion is our refuge; and the soul has finally no other resource but the true, which is her weapon -- and falsehood, which is her armor.”

“I am not averse to generalizing the notion of "modern" to designate a certain way of life, rather than making it purely a synonym of 'contemporary'. There are moments and places in history to which 'we moderns' could return without too greatly disturbing the harmony of those times, without seeming objects infinitely curious and conspicuous... creatures shocking, dissonant, and unassailable.”

“I believed, rather more accurately, that a work resolutely thought out and sought for in the hazards of the mind, systematically, and through a determined analysis of definite and previously prescribed conditions, whatever its value might be once it had been produced, did not leave the mind of its creator without having modified him, and forced him to recognize and in some way reorganize himself. I said to myself that it was not the accomplished work, and its appearance and effect in the world, that can fulfill and edify us; but only the way in which we have done it.”

“I am now going to make an admission. I confess, I agree, that all these good people who protested, who laughed, who did not perceive what we perceived, were in a quite legitimate position. Their opinion was quite in order. One must not be afraid to say that the kingdom of letters is only a province of the vast empire of entertainment. One picks up a book, one puts it aside; and even when one cannot put it down one very well understands that this interest is related to the facility of pleasure. That is to say that every effort of a creator of beauty or of fantasy should be bent, by the very essence of his work, on contriving for the public pleasure which demands no effort, or almost none. It is through the public that he should deduce what touches, moves, soothes, animates or enchants the public.There are however several publics; amongst whom it is not impossible to find some people who do not conceive of pleasure without pain, who do not like to enjoy themselves without paying, and who are not happy if their happiness is not in some part their own contrivance through which they wish to realize what it costs them. ”