“There is no theory that is not a fragment, carefully prepared, of some autobiography.”

“What is more important than the meal? Doesn’t the least observant man-about-town look upon the implementation and ritual progress of a meal as a liturgical prescription? Isn’t all of civilization apparent in these careful preparations, which consecrate the spirit’s triumph over a raging appetite?”

“She is entirely in her closed eyes, and quite alone with her soul, in the bosom of the most intimate attention... She feels in herself that she is becoming some event.”

“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”

“Ingres’ pencil pursues ideal grace to the point of monstrosity: the spine never long and supple enough, the neck flexible enough, the thighs smooth enough, or all the curves of the body sufficiently beguiling to the eye, which envelopes and caresses more than it seems them. The Odalisque, with a hint of the plesiosaurus about her, makes one wonder what might have resulted from a carefully controlled selection, through the centuries, of a breed of woman specially designed for pleasure – as the English horse is bred for racing.”

“His heart is a desert island.... The whole scope, the whole energy of his mind surround and protect him; his depths isolate him and guard him against the truth. He flatters himself that he is entirely alone there.... Patience, dear lady. Perhaps, one day, he will discover some footprint on the sand.... What holy and happy terror, what salutary fright, once he recognizes in that pure sign of grace that his island is mysteriously inhabited!...”

“I am now going to make an admission. I confess, I agree, that all these good people who protested, who laughed, who did not perceive what we perceived, were in a quite legitimate position. Their opinion was quite in order. One must not be afraid to say that the kingdom of letters is only a province of the vast empire of entertainment. One picks up a book, one puts it aside; and even when one cannot put it down one very well understands that this interest is related to the facility of pleasure. That is to say that every effort of a creator of beauty or of fantasy should be bent, by the very essence of his work, on contriving for the public pleasure which demands no effort, or almost none. It is through the public that he should deduce what touches, moves, soothes, animates or enchants the public.There are however several publics; amongst whom it is not impossible to find some people who do not conceive of pleasure without pain, who do not like to enjoy themselves without paying, and who are not happy if their happiness is not in some part their own contrivance through which they wish to realize what it costs them. ”