“In Paris, you couldn’t really turn around without seeing the result of lovers’ bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.”

“Why is it every other person you meet says they're an artist? A real artist doesn't need to gas on about it, he doesn't have time. He does his work and sweats it out in silence, and no one can help him at all.”

“Knowing he was suffering pained me. That’s the way love tangles you up. I couldn’t stop loving him, and couldn’t shut off the feelings of wanting to care for him— but I also didn’t have to run to answer his letters. I was hurting, too, and no one was running to me.”

“I get why no one bothers with the usual rules," ... "I was in the war, too, you know. Nothing looks or feels the same anymore, so what's the point?" ... "Still, I miss good old-fashioned honorable people just trying to make something of life. Simply, without hurting anyone else.”

“Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.”

“Most things in the world are not unexpected if one thinks carefully about them. Even something one would call unusual- if one things about it, it's really just a thing that was supposed to happen. Encountering unusual events often means you didn't think things through.”

“I wanted something grand and sweeping.""The kind of love you find in novels?""Maybe. That makes me incredibly stupid, I suppose.”