“It was the end of Ernest's struggle with apprenticeship, and an end to other things as well. He would never again be unknown. We would never again be this unhappy.”

“And that's when he finally tells me his name is Ernest. I'm thinking of giving it away, though. Ernest is so dull, and Hemingway? Who wants a Hemingway?”

“Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.”

“We knew what we had and what it meant, and though so much had happened since for both of us, there was nothing like those years in Paris, after the war. Life was painfully pure and simple and good, and I believed Ernest was his best self then. I got the very best of him. We got the best of each other.”

“He was such an enigma, really - fierce and strong and weak and cruel. An incomparable friend and a son of a bitch. In the end, there wasn't one thing about him that was truer than the rest. It was all true.”

“How unbelievably naive we both were that night. We clung hard to each other, making vows we couldn't keep and should never have spoken aloud. That's how love is sometimes. I already loved him more than I'd ever loved anything or anyone. I knew he needed me absolutely, and I wanted him to go on needing me forever.”

“It gave me a sharp kind of sadness to think that no matter how much I loved him and tried to put him back together again, he might stay broken forever.”