“(A murderer about their victim:)"He was an expert in vicarious death. I should like to have been there to see how he enjoyed the real thing.”

“Snapping shut his mobile, Dalgliesh reflected that murder, a unique crime for which no reparation is ever possible, imposes it own compulsions as well as it's conventions. He doubted whether Macklefield [the murder victim's Will attorney] would have interrupted his country weekend for a less sensational crime. As a young officer he, too, had been touched, if unwillingly and temporarily, by the power of murder to attract even while it appalled and repelled. He had watched how people involved as innocent bystanders, provided they were unburdened by grief or suspicion, were engrossed by homicide, drawn inexorably to the place where the crime had occurred in fascinated disbelief. The crowd and the media who served them had not yet congregated outside the wrought-iron gates of the Manor. But they would come, and he doubted whether Chandler-Powell's [owner of the Manor where the murder was committed] private security team would be able to do more than inconvenience them.”

“It had always been a part of his job which he found difficult, the total lack of privacy for the victim. Murder stripped away more than life itself. The body was parceled, labelled, dissected; address books, diaries, confidential letters, every part of the victim's life was sought out and scrutinized. Alien hands moved among the clothes, picked up and examined the small possessions, recorded and labelled for public view the sad detritus of sometimes pathetic lives.”

“But he still lingered, feeling the wind lift his hair and grateful for another minute of peace. He was grateful, too, that Kate Miskin could share it with him without the need to speak and without making him feel that her silence was a conscious discipline. He had chosen her because he needed a woman in his team and she was the best available. The choice had been partly rational, partly instinctive and he was beginning to realize just how well his instinct had served him. It would have been dishonest to say that there was no hint of sexuality between them. In his experience there nearly always was, however repudiated or unacknowledged, between any reasonable attractive heterosexual couple who worked together. He wouldn’t have chosen her if he had found her disturbingly attractive but the attraction was there and he wasn’t immune to it. But despite this pinprick of sexuality, perhaps because of it, he found her surprisingly restful to work with. She had an instinctive knowledge of what he wanted; she knew when to be silent; she wasn’t overly deferential. He suspected that with part of her mind, she saw his vulnerabilities more clearly, and understood him better and was more judgmental than were any of his male colleagues.{ by Adam Dalgliesh, of his teammate Kate Miskin }”

“What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted."Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable...""What was he like as a person?" asked Dalgliesh."Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity.""A typical writer, in fact?" suggested Dalgliesh mischievously.”

“Unnatural death always provoked a peculiar unease, an uncomfortable realization that there were still some things that might not be susceptible to bureaucratic control.”

“All the motives for murder are covered by four Ls: Love, Lust, Lucre and Loathing.”