“Where you some particular person because people recognized you as that?”

Penelope Farmer

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“Charlotte was used to all the marks of war: the shabbiness of things, bad food, shop queues, posters about the war effort, people with worried faces, people dressed in black. She was used to seeing the wounded men from the hospital with their bright blue uniforms and bright red ties, the colours, she thought, if not the clothes of Arthur's soldiers. Such things did not disturb her, and the war seemed quite remote. But this disturbed her, the grotesque kind of circus that came now. It did not seem remote at all, nor did it fit with her vague ideas of war gained from those books of Arthur's she had read, with their flags and glory and brave drummer boys. How could you dare to become a soldier, knowing that you might end like this? There were men like clowns with white heads, white arms, white legs, men with crutches, slings, and bloodied bandages, and all so distressingly like men you would expect to see walking down the street, two armed, two legged, in hats instead of bandages and suits of black not battered khaki. Some came on stretchers borne by whole and ordinary men, some hobbled and leaned on whole ordinary arms. Most had mud dried thick across their clothes, and all came from the dark station's mouth with the spewings of trains behind, the clankings, thumpings, grindings, the sounds like great devils taking in breaths and blowing them out again.”


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“From my own novel.Because in the City, you know there is nothing else, it is a place without roads, without real people, without life. Just an abandoned wreck; desolate; isolated; unloved. Somewhere you go when there is no more life inside of you, when you have no choice, no . . . desire, no personality. It’s a place where you go to die, and after you’re dead, your body is left to rot, and get blown by the wind into nothing, and there is no heaven, no hell, just earth and dust, and insects crawling over your bleached bones . . . it’s bliss.”


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