“Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.”

“The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.”

“I have neither curiosity, interest, pain nor pleasure, in anything, good or evil, they can say of me. I feel only a slight disgust, and a sort of wonder that they presume to write my name.”

“A man, to be greatly good, must imagine intensely and comprehensively; he must put himself in the place of another and many others; the pains and pleasures of his species must become his own. The great instrument of moral good is the imagination.”

“Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admiration at some of its transient modifications, but it is itself the great miracle.”

“Whether that lady's gentle mind, No longer with the form combinedWhich scattered love, as stars do light, Found sadness where it left delight,I dare not guess; but in this lifeOf error, ignorance, and strife,Where nothing is, but all things seem,And we the shadows of the dream,It is a modest creed, and yetPleasant if one considers it,To own that death itself must be,Like all the rest, a mockery.That garden sweet, that lady fair,And all sweet shapes and odors there,In truth have never passed away:'Tis we, 'tis ours, are changed; not they.For love, and beauty, and delight, There is no death or change: their mightExceeds our organs, which endureNo light, being themselves obscure.(--Conclusion, Autumn - A Dirge)”

“All things exist as they are perceived: at least in relation to the percipient. 'The mind is its own place, and of itself can make a heaven of hell, a hell of heaven.' But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being.”