“There were pools of light among the stacks, directly beneath the bulbs which Philip had switched on, but it was now with an unexpected fearfulness that he saw how the books stretched away into the darkness. They seemed to expand as soon as they reached the shadows, creating some dark world where there was no beginning and no end, no story, no meaning. And if you crossed the threshold into that world, you would be surrounded by words; you would crush them beneath your feet, you would knock against them with your head and arms, but if you tried to grasp them they would melt away. Philip did not dare turn his back upon these books. Not yet. It was almost, he thought, as if they had been speaking to each other while he slept.”

“He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist.”

“For when I trace back the years I have liv'd, gathering them up in my Memory, I see what a chequer'd Work Of Nature my life has been. If I were now to inscribe my own History with its unparalleled Sufferings and surprizing Adventures (as the Booksellers might indite it), I know that the great Part of the World would not believe the Passages there related, by reason of the Strangeness of them, but I cannot help their Unbelief; and if the Reader considers them to be but dark Conceits, then let him bethink himself that Humane life is quite out of the Light and that we are all Creatures of Darknesse.”

“I realized that my time in this place had come to an end; now that my schooldays were over, I no longer belonged here. I had always been a stranger and, if I stayed, I would become a stranger to myself as well.”

“Still the king would have turned away, but Schmendrick touched his arm and leaned near. "It's true, you know," he whispered. "But for him--but for them all--the tale would have worked out quite another way, and who can say that the ending would have been even as happy as this? You must be their king, and you must rule them as kindly as you would a braver and more faithful folk. For they are your fate.”

“A person who had no one would be well advised to cobble together some passable ghost. Breathe it into being and coax it along with words of love. Offer it each phantom crumb and shield it from harm with your body. As for me my only hope is for eternal nothingness and I hope it with all my heart.”

“In all outward aspects he remained patient and mild now, not caring even to speak against heretics; he knew that he was likely to die soon enough, but the prospect of death was not an unwelcome one (...). More retained his hair shirt as he dwelled in his chamber, and is reported to have whipped himself for penitence; he fasted on the appointed days, sang hymns and prayed both day and night.”