“In order to get [Mean Streets] made I had to learn how to make a movie," says Scorsese. "I didn't learn how to make a movie in film school. What you learned in film school was to express yourself with pictures and sound. But learning to make a movie is totally different.”

“My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.”

“Never mind that it's not owned by a black person anymore. You can still learn a lot from BET. Primarily, you will learn that black people love reruns, and if you're lucky, you'll catch the Tyler Perry movie! I know the Internet Movie Database says Perry has written over ten films, and there may be several titles and even different casts, but if you've seen one Tyler Perry movie, you've experienced the entire cannon. The man has only made one film, and you can catch it on BET, repeatedly.”

“If this was a movie, we would've sat down at the table with the guys and they would have learned some kind of valuable lesson, like not to judge people by how they look, or that being different is okay. And Lena would've learned that all jocks weren't stupid and shallow. It always seemed to work in movies, but this wasn't a movie. This was Gatlin, which severely limited what could happen.”

“It was from a weekly visit to the cinema that you learned (or tried to learn) how to strut, to smoke, to kiss, to fight, to grieve. Movies gave you tips about how to be attractive (...). But whatever you took home from the movies was only part of the larger experience of losing yourself in faces, in lives that were not yours - which is the more inclusive form of desire embodied in the movie experience. The strongest experience was simply to surrender to, to be transported by, what was on the screen”

“Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.”