“But now she could not bear the way she sounded. She was not a person anyone could love....And thus fled to her room. There she wept, bitterly, an ugly sound punctuated by great gulps. She could not stop herself. She could hear his footsteps in the passage outside. He walked up and down, up and down.'Come in,' she prayed. 'Oh dearest, do come in.'But he did not come in. He would not come in. This was the man she had practically contracted to give away her fortune to. He offered to marry her as a favour and then he would not even come into her room.Later, she could smell him make himself a sweet pancake for his lunch. She thought this a childish thing to eat, and selfish, too. If he were a gentleman he would now come to her room and save her from the prison her foolishness had made for her. He did not come. She heard him pacing in his room.”

“He couldn’t say it. He couldn’t tell her how much she had come to mean to him. She could destroy him with her rejection. If she had feigned her feelings for him – if he’d bought into her lies and her quest for freedom…. He wasn’t sure what he would do. He could hurt her." Caleb.”

“If he invited her to come, then come she would, and offer him up her life.”

“Yes, Mo would come. Meggie could think of nothing else as Fenoglio led her away with him, his arm around her as if he could really protect her from Capricorn and Basta and all the others. But he couldn't. Would Mo be able to protect her? Of course not. He mustn't come, she thought. Please. Perhaps he won't be able to find his way in again! He mustn't come. Yet there was nothing she wanted more, nothing in the whole wide world.”

“She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.She looks at him.”

“She listened to silence. Except the birds. The waves. A few voices in the distance. She would not turn to him. He had to come to her. He HAD to come to her.”