“Jasper's weight on my leg an aching absence.”

“The pleasure almost split me like a baking stuffed tomato. Like my heart swelled and my skin got thinner and thinner in the heat of it. Of company.”

“I woke sometime in the middle of the night and lay in the hammock, wriggled my foot out of the sleeping bag into the chill and found the rough ground with my bare foot and rocked myself back and forth. And watched the stars swim against the mesh of leaves. Like a fish nosing a net.This is what we are, what we do: nose a net, push push, a net that never exists. The knots in the mesh as strong as our own believing. Our own fears.”

“I once had a book on the stars but now I don't. My memory serves but not stellar, ha. So I made up constellations. I made a Bear and a Goat but maybe not where they are supposed to be, I made some for the animals that once were, the ones I know about.”

“Still. No resolution ever. None. Nothing decided, nothing finished. The Dipper wheels back into place. Just one turn. One turn of the wheel and we are different, never the same. Not ever. Not even those stars. Even they, they decay, collapse, coalesce, break apart. Close my eyes.”

“I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone... My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otterI love otterUnder a muskrat:I love muskratBeaver:I love beaver”

“Back then I took up flying with the sense of coming to something I had been meant to do all my life. Many people who fly feel this way and I think it has more to do with some kind of treetop or clifftop gene than with any sense of unbounded freedom or metaphors of the soaring spirit. The way the earth below resolves. The way the landscape falls into place around the drainages, the capillaries and arteries of falling water: mountain slopes bunched and wrinkled, wringing themselves into the furrows of couloir and creek , draw and chasm, the low places defining the spurs and ridges and foothills the way creases define the planes of a face, lower down the canyon cuts, and then the swales and valleys of the lowest slopes, the sinuous rivers and the dry beds where water used to run seeming to hold the hills the waves of the high plains all together and not the other way around… but what I loved the most from the first training flight was the neatness, the sense of everything in its place. The farms in their squared sections, the quartering county roads oriented to the cardinal compass points, the round bales and scattered cattle and horses as perfect in their patterns as sprays of stars and holding the same ruddy sun on their flanks…the immortal stillness of a landscape painting.”