“Shakespeare's ambiguous lubricity in Venus is less disturbing than the bleakly moral emphasis of Lucrece, where virtue is so low-spirited, its exclamation so lachrymose and its justification the nasty realpolitik of Roman Republicanism. The sun has not dried the dew on the grass in Venus, but the ill-lit world of Livy's Rome darkens Lucrece. The first poem lives out of doors; the second is in a permanent chiaroscuro.”

“The Arden Shakespeare is intended both as a student text and as a revision of traditional scholarship. If it is to be used in the first way, then the often narrow thread of text above a sediment of footnotes, something Dr Leavis so deplored, can prove debilitating. Poems, especially the classics of our language, should be read headlong. Dubieties may be looked up later.”

“Auden is an accomplished rhymer and Shakespeare is not.”

“I am only the image I can force upon the town.”

“By virtue of its unbounded aggression, Roman imperialism was ultimately responsible for its own destruction.”

“Could she fall so low? No, there were limits, and she believed she still knew where some of them were.”

“We give them different names, those nights lit only by fire and the moon, depending on the country and the calendar, but we know what they are. They call up the world that was before the Lord came down among us; the world where good and evil were not so certain, so fixed as they are today, where the known and the unheard-of could mingle as they chose...where truth had its doubts, do you see?(By Moonlight)”