“It is easy to be clever if you leave something important out.”

“The Romantic movement among other things was concerned to bring back into permitted human experience occasions when the 'invisible but real world' was of paramount importance, when the non-visual or dark senses were operating as organs of knowledge.”

“His (Samuel Coleridge) dark senses were constantly in play, the frustration of them bringing illness. Weather and organic nature combined in a synaesthetic multi-media event, and this was the ground of all perception before it was divded up in daily living: the Primary Imagination giving way to the Secondary. Poetry was forever seeking a conscious return to this state, which existed all the time, whether he knew it or not.”

“It is as though we are understanding now what (William) Blake intuited, the senses were, in Eden, spread over the whole being. It might seem, then, that our bodies still live in Eden, but our minds refuse to know it.”

“Some may wonder whether part of the harvest of this invisible pollution (electromagnetic radiation) may be the comparative rarity of visionary experience in the modern world, and the predominence of a removed, overanalytical, repelling 'onlooker' intelligence in its place, resembling that of the (Martin) Amis hero (who will not see because he cannot feel). If this is so, such an intelligence has produced conditions favoring its evolution and survival.”

“The entrance to the natural EM senses is now guarded by artificially monstrous EM waves carrying every kind of pattern irrelevant to nature, from TV sitcoms to defense radar broadcasts. It is as though we have covered the whole surface of the globe with a slum of slovenly, impalpable constructions during the past eighty years or so since Marconi. They are literally skyscrapers in as much as they touch the ionosphere and are reflected from it. They are tenements full of the disorderly displays of sitcoms and the sterile reflections of military radar.”

“In fact, unconscious scanning goes on all the time. It seems more than ever that what we know as the visionary or poetic mode is our response via the unconscious senses to what is really there in the environment. We are not trying to 'explain it away': it is rather that we symbolize this kind of awareness.”