“It's really not so good to have time. Rush, scramble, desperation, this missed, that left behind, those others too big to fit into such a small space--that's the way life was meant to be. You're supposed to be too late for some things. Don't worry about it.”

“...and it's not my place to chase around after you, fixing stuff. What I know's what I know, and it don't include putting the world back the way it out to be. It's too late for that. Way too late for heroes, champions, miracles. Don't matter what our heritage was maybe meant for - your side got hold of it first, and you won long ago. No undoing that, Esau, I ain't fool enough to think otherwise. I'm still sorry for you, but I know your side's won, this side of the grave.”

“I know why you did it too. You can't become mortal yourself until you change her back again. Isn't that it? You don't care what happens to her, or to the others, just as long as you become a real magician, even if you change the Bull into a bullfrog, because it's still just a trick when you do it. You don't care about anything but magic, and what kind of magician is that? Schmendrick, I don't feel good. I have to sit down."Schmendrick must have carried her for a time, because she was definitely not walking and his green eyes were ringing in her head. "That's right. Nothing but magic matters to me. I would round up unicorns for Haggard myself if it would heighten my power but half a hair. It's true. I have no preferences and no loyalties. I have only magic." His voice was hard and sad."Really?" she asked, rocking dreamily in her terror, watching the brightness flowing by. "That's awful." She was very impressed. "Are you really like that?""No," he said, then or later. "No, it's not true. How could I be like that, and still have all these troubles?" Then he said, "Molly, you have to walk now.”

“It's like dinosaurs. We can put them back together perfectly, bone for bone, but we don't know what they smelled like, what kind of sounds they made, or how big they really looked standing in the grass under all those fossil fern trees. Even the sunlight must have been different, and the wind. What can bones tell you about a kind of wind that doesn't blow anymore?”

“Because that world's gone. The world where people walked around whistling that music. All the madrigal singers in the world can't make that other one real again. It's like dinosaurs. We can put them back together perfectly, bone for bone, but we don't know what they smelled like, what kind of sounds they made, or how big they really looked standing in the grass under all those fossil fern trees. Even the sunlight must have been different, and the wind. What can bones tell you about a kind of wind that doesn't blow anymore?”

“...because in a way it happened to someone else. I don't really speak that person's language anymore, and when I think about her, she embarrasses me sometimes, but I don't want to forget her, I don't want to pretend she never existed. So before I start forgetting, I have to get down exactly who she was, and exactly how she felt about everything. She was me a lot longer than I've been me so far.”

“There are people,' he said, 'who give, and there are people who take. There are people who create, people who destroy, and people who don't do anything and drive the other two kinds crazy. It's born in you, whether you give or take, and that's the way you are. Ravens bring things to people. We're like that. It's our nature. We don't like it. We'd much rather be eagles, or swans, or even one of those moronic robins, but we're ravens and there you are. Ravens don't feel right without somebody to bring things to, and when we do find somebody we realize what a silly business it was in the first place." He made a sound between a chuckle and a cough. "Ravens are pretty neurotic birds. We're closer to people than any other bird, and we're bound to them all our lives, but we don't have to like them. You think we brought Elijah food because we liked him? He was an old man with a dirty beard.”