“Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality.”

“Stories always started this way, suddenly, and set within a strange world. Patience is required, to let the stories unroll. This is how people explan their lives.”

“... He was particularly disgruntled to see what he had taken for a bundle of old rags on the tracks outside was a human body. He did not say "Not again" (what he said was "Shit on this"), but "Not again" was what he meant.”

“...the materials of genre - specifically the paired genres of horror and the fantastic - in no way require the constrictions of formulaic treatment, and in fact naturally extend and evolve into the methods and concerns of its wider context, general literature.”

“I write for the kid in me. . . . Often when I’m working on a story, I’ll find myself laughing at something my characters have done, or even being surprised at where they’ve taken the story. It’s as if they have a life all their own. What I do is create them and then let them go on to entertain me. . . .”

“It was incomprehensible to Ricky that anyone could find Milburn boring: if you watched it closely for seventy years, you saw the century at work.”

“When we submit our lives to what we read in scripture, we find that we are not being led to see God in our stories but our stories in God's. God is the larger context and plot in which our stories find themselves. ”