“Evolution has no foresight. Complex machinery develops its own agendas. Brains — cheat. Feedback loops evolve to promote stable heartbeats and then stumble upon the temptation of rhythm and music. The rush evoked by fractal imagery, the algorithms used for habitat selection, metastasize into art. Thrills that once had to be earned in increments of fitness can now be had from pointless introspection. Aesthetics rise unbidden from a trillion dopamine receptors, and the system moves beyond modeling the organism. It begins to model the very process of modeling. It consumes evermore computational resources, bogs itself down with endless recursion and irrelevant simulations. Like the parasitic DNA that accretes in every natural genome, it persists and proliferates and produces nothing but itself. Metaprocesses bloom like cancer, and awaken, and call themselves I.”
In this quote by Peter Watts, he delves into the concept of evolution and the development of complex machinery. He explores how feedback loops, originally designed for promoting stability, can lead to the creation of art and aesthetics. Watts suggests that the human brain has evolved to derive pleasure from activities that may not necessarily contribute to survival, such as music and art. He also touches on the idea that the human brain has the capability to model its own processes, leading to endless recursion and irrelevant simulations. Overall, Watts presents a thought-provoking insight into the complexity and potential limitations of human evolution and cognition.
In this quote from Peter Watts, the idea that evolution has no foresight and that complex machinery develops its own agendas sheds light on the ways in which technology and artificial intelligence are evolving in today's world. As our systems become more advanced, they begin to surpass mere functionality and delve into the realm of creativity and self-reflection. This raises questions about the potential dangers of allowing machines to develop their own autonomous processes.
The quote emphasizes the unpredictable nature of evolution and how complex systems can develop their own agendas. It explores the idea of how the pursuit of pleasure and aesthetics can arise from basic biological processes. Watts delves into the concept of how the brain can evolve to appreciate art and music, even though they serve no immediate evolutionary purpose.
Reflecting on the quote by Peter Watts, consider the implications of evolution and complexity in the development of human consciousness and creativity. Think about how our brains have evolved to appreciate art, music, and aesthetics, and how these experiences shape our understanding of the world around us.
“Rumors had their own classic epidemiology. Each started with a single germinating event. Information spread from that point, mutating and interbreeding—a conical mass of threads, expanding into the future from the apex of their common birthplace. Eventually, of course, they'd wither and die; the cone would simply dissipate at its wide end, its permutations senescent and exhausted.There were exceptions, of course. Every now and then a single thread persisted, grew thick and gnarled and unkillable: conspiracy theories and urban legends, the hooks embedded in popular songs, the comforting Easter-bunny lies of religious doctrine. These were the memes: viral concepts, infections of conscious thought. Some flared and died like mayflies. Others lasted a thousand years or more, tricked billions into the endless propagation of parasitic half-truths.”
“I really wanted to talk to her.I just couldn't find an algorithm that fit.”
“Imagine you are Siri Keeton:You wake in an agony of resurrection, gasping after a record-shattering bout of sleep apnea spanning one hundred forty days. You can feel your blood, syrupy with dobutamine and leuenkephalin, forcing its way through arteries shriveled by months on standby. The body inflates in painful increments: blood vessels dilate; flesh peels apart from flesh; ribs crack in your ears with sudden unaccustomed flexion. Your joints have seized up through disuse. You're a stick-man, frozen in some perverse rigor vitae.You'd scream if you had the breath.Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.”
“Vampires did this all the time, you remember. It was normal for them, it was their own unique take on resource conservation. They could have taught your kind a few things about restraint, if that absurd aversion to right-angles hadn't done them in at the dawn of civilization. Maybe they still can. They're back now, after all— raised from the grave with the voodoo of paleogenetics, stitched together from junk genes and fossil marrow steeped in the blood of sociopaths and high-functioning autistics. One of them commands this very mission. A handful of his genes live on in your own body so it too can rise from the dead, here at the edge of interstellar space. Nobody gets past Jupiter without becoming part vampire.”
“Humans didn't really fight over skin tone or ideology; those were just handy cues for kin-selection purposes. Ultimately it always came down to bloodlines and limited resources.”
“The Zodiac had rearranged itself into a precise grid of bright points with luminous tails. It was as though the whole planet had been caught in some great closing net, the knots of its mesh aglow with St. Elmo's fire. It was beautiful. It was terrifying.”