“Every author really wants to have letters printed in the paper. Unable to make the grade, he drops down a rung of the ladder and writes novels.”

“It has been well said that an author who expects results from a first novel is in a position similar to that of a man who drops a rose petal down the Grand Canyon of Arizona and listens for the echo.”

“[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of them."(Interview, The Paris Review, Issue 64, Winter 1975)”

“Hallo, Bertie.""Hallo, old turnip. Where have you been all this while?""Oh, here and there! Ripping weather we're having, Bertie.""Not bad.""I see the Bank Rate is down again.""No, really?""Disturbing news from Lower Silesia, what?""Oh, dashed!"He pottered about the room for a bit, babbling at intervals. The boy seemed cuckoo."Oh, I say, Bertie!" he said suddenly, dropping a vase which he had picked off the mantelpiece and was fiddling with. "I know what it was I wanted to tell you. I'm married.”

“There is, of course, this to be said for the Omnibus Book in general and this one in particular. When you buy it, you have got something. The bulk of this volume makes it almost the ideal paper-weight. The number of its pages assures its posessor of plenty of shaving paper on his vacation. Place upon the waistline and jerked up and down each morning, it will reduce embonpoint and strengthen the abdominal muscles. And those still at their public school will find that between, say, Caesar's Commentaries in limp cloth and this Jeeves book there is no comparison as a missile in an inter-study brawl.”

“The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."(Interview, The Paris Review, Issue 64, Winter 1975)”

“A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy.”