“I hold it truth, with him who singsTo one clear harp in divers tones,That men may rise on stepping-stonesOf their dead selves to higher things.”
“nihil novum nihil varium nihil quod non semel spectasse sufficiat”
“Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.”
“This morning I heard: the hesitancy in her voice wasn't ordinary sincerity but a lot of it, and her tone wasn't only friendly, it was intimate, private, longing. The words, quiet and simple as they were, were strong, deep tosses that landed close, and loud.”
“It was a tender and heart-dissolving prayer, full of sorrow, yet so imbued with celestial hopes, that the music of a heavenly harp, swept by the fingers of the dead, seemed faintly to be heard among the saddest accents of the minister.”