“I can see Richard Wagner standing at the gates of heaven. "You have to let me in," he says. "I wrote Parsifal. It has to do with the Grail, Christ, suffering, pity and healing. Right?" And they answer, "Well, we read it and it makes no sense." SLAM.”

“We peep out, but what do we see, really? Mirror reflections of our own selves, our bloodless, feeble countenances, devoted to nothing in particular, insofar as I can fathom it. Death is very close, he thought. When you think in this manner. I can feel it, he decided. How near I am. Nothing is killing me; I have no enemy, no antagonist; I am merely expiring, like a magazine subscription: month by month.”

“She makes life over, he realized. She controls life, whereas I just sit on my can and let it happen to me.”

“I mean, after all, you have to consider we're only made out of dust. That's admittedly not much to go on and we shouldn't forget that. But even considering, I mean it's sort of a bad beginning, we're not doing too bad. So I personally have faith that even in this lousy situation we're faced with we can make it. You get me?”

“When he turned on the tape-transport once more, Arctor was saying, "-- as near as I can figure out, God is dead." Luckman answered, "I didn't know He was sick.”

“Dear Jeff,I happened to see the Channel 7 TV program "Hooray for Hollywood" tonight with the segment on Blade Runner. (Well, to be honest, I didn't happen to see it; someone tipped me off that Blade Runner was going to be a part of the show, and to be sure to watch.) Jeff, after looking—and especially after listening to Harrison Ford discuss the film—I came to the conclusion that this indeed is not science fiction; it is not fantasy; it is exactly what Harrison said: futurism. The impact of Blade Runner is simply going to be overwhelming, both on the public and on creative people—and, I believe, on science fiction as a field. Since I have been writing and selling science fiction works for thirty years, this is a matter of some importance to me. In all candor I must say that our field has gradually and steadily been deteriorating for the last few years. Nothing that we have done, individually or collectively, matches Blade Runner. This is not escapism; it is super realism, so gritty and detailed and authentic and goddam convincing that, well, after the segment I found my normal present-day "reality" pallid by comparison. What I am saying is that all of you collectively may have created a unique new form of graphic, artistic expression, never before seen. And, I think, Blade Runner is going to revolutionize our conceptions of what science fiction is and, more, can be. Let me sum it up this way. Science fiction has slowly and ineluctably settled into a monotonous death: it has become inbred, derivative, stale. Suddenly you people have come in, some of the greatest talents currently in existence, and now we have a new life, a new start. As for my own role in the Blade Runner project, I can only say that I did not know that a work of mine or a set of ideas of mine could be escalated into such stunning dimensions. My life and creative work are justified and completed by Blade Runner. Thank you...and it is going to be one hell of a commercial success. It will prove invincible. Cordially,Philip K. Dick”

“He sat watching the people go by, wondering how a thing of this sort could have come about, I must have let myself get mixed up in something horrible, he thought ... Probably she's the one who did it; I have no control of myself or anything that's happened. So now I'm waking up. I'm awake, he thought ... I've been destroyed and now that I'm awake all I can do is realize it ... The shock of getting up there and telling that account made me see. Mixture of lies and bits of truth. Woven together. Unable to see where each starts.”