“I don't have time to read popular fiction. I'm too busy with work.' Secretaries, he thought acidly, read that junk, at home in bed at night. It stimulates them. Instead of the real thing. Which they're afraid of. But of course really crave.”

“I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader’s mind so that the mind, like the author’s, begins to create. Thus sf is creative and itinspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness.”

“I want to write about people I love, and put them into a fictional world spun out of my own mind, not the world we actually have, because the world we actually have does not meet my standards. Okay, so I should revise my standards; I'm out of step. I should yield to reality. I have never yielded to reality. That's what SF is all about. If you wish to yield to reality, go read Philip Roth; read the New York literary establishment mainstream bestselling writers….This is why I love SF. I love to read it; I love to write it. The SF writer sees not just possibilities but wild possibilities. It's not just 'What if' - it's 'My God; what if' - in frenzy and hysteria. The Martians are always coming.”

“Too bad. And Mozart, not long after writing The Magic Flute, had died--in his thirties--of kidney disease. And had been buried in an unmarked pauper's grave.Thinking this, he wondered if Mozart had any intuition that the future did not exist, that he had already used up his little time. Maybe I have too, Rick thought as he watched the rehearsal move along. This rehearsal will end, the performance will end, the singers will die, eventually the last score of the music will be destroyed in one way or another; finally the name "Mozart" will vanish, the dust will have won. If not on this planet then another. We can evade it awhile. As the andys can evade me and exist a finite stretch longer. But I will get them or some other bounty hunter gets them. In a way, he realized, I'm part of the form-destroying process of entropy.”

“Everything is true,' he said. 'Everything anybody has ever thought.''Will you be all right?''I'll be all right,' he said, and thought, And I'm going to die. Both those are true, too.”

“He sat watching the people go by, wondering how a thing of this sort could have come about, I must have let myself get mixed up in something horrible, he thought ... Probably she's the one who did it; I have no control of myself or anything that's happened. So now I'm waking up. I'm awake, he thought ... I've been destroyed and now that I'm awake all I can do is realize it ... The shock of getting up there and telling that account made me see. Mixture of lies and bits of truth. Woven together. Unable to see where each starts.”

“Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.”