“Side by side, their faces blurred,The earl and countess lie in stone,Their proper habits vaguely shownAs jointed armour, stiffened pleat,And that faint hint of the absurd -The little dogs under their feet.Such plainness of the pre-BaroqueHardly involves the eye, untilIt meets his left-hand gauntlett, stillClasped empty in the other, andOne sees with a sharp tender shockHis hand withdrawn, holding her hand.They would not think to lie so long,Such faithfulness in effigyWas just a detail friends would see,A sculptor's sweet commissioned graceThrown off in helping to prolongThe Latin names around the base.They would not guess how early inTheir supine stationary voyageThe air would change to soundless damage,Turn the old tenantry away;How soon succeeding eyes beingTo look, not read. Rigidly, theyPersisted, linked, through lengths and breadthsOf time. Snow fell, undated. LightEach summer thronged the grass. A brightLitter of birdcalls strewed the sameBone-littered ground. And up the pathsThe endless altered people cameWashing at their identity.Now helpless in the hollowOf an unarmorial age, a troughOf smoke in slow suspended skeinsAbove their scrap of history,Only an attitude remains.Time has transfigured them intoUntruth. The stone fidelityThey hardly meant has come to beTheir final blazon and to proveOur almost-instinct almost-true:What will survive of us is love.- An Arundel Tomb”

“Now, helpless in the hollow ofAn unarmorial age, a troughOf smoke in slow suspended skeinsAbove their scrap of history,Only an attitude remains:Time has transfigured them intoUntruth. The stone finalityThey hardly meant has come to beTheir final blazon, and to proveOur almost-instinct almost true:What will survive of us is love.”

“Time has transfigured them intoUntruth. The stone fidelityThey hardly meant has come to beTheir final blazon, and to proveOur almost-instinct almost true:What will survive of us is love.”

“If I looked into your face / expecting a word or a laugh on the old conditions, / it would not be a friend who met my eye”

“How hard it is, to be forced to the conclusion that people should be, nine tenths of the time, left alone! - When there is that in me that longs for absolute commitment. One of the poem-ideas I had was that one could respect only the people who knew that cups had to be washed up and put away after drinking, and knew that a Monday of work follows a Sunday in the water meadows, and that old age with its distorting-mirror memories follows youth and its raw pleasures, but that it's quite impossible to love such people, for what we want in love is release from our beliefs, not confirmation in them. That is where the 'courage of love' comes in - to have the courage to commit yourself to something you don't believe, because it is what - for the moment, anyway - thrills your by its audacity. (Some of the phrasing of this is odd, but it would make a good poem if it had any words...)”

“How little our careers express what lies in us, and yet how much time they take up. It's sad, really.”

“AubadeI work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dreadOf dying, and being dead,Flashes afresh to hold and horrify.The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climbClear of its wrong beginnings, and may never; But at the total emptiness for ever,The sure extinction that we travel toAnd shall be lost in always. Not to be here, Not to be anywhere,And soon; nothing more terrible, nothing more true.This is a special way of being afraidNo trick dispels. Religion used to try,That vast moth-eaten musical brocadeCreated to pretend we never die,And specious stuff that says No rational beingCan fear a thing it will not feel, not seeingThat this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with,The anaesthetic from which none come round.And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages outIn furnace-fear when we are caught without People or drink. Courage is no good:It means not scaring others. Being brave Lets no one off the grave.Death is no different whined at than withstood.Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go.Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaringIntricate rented world begins to rouse.The sky is white as clay, with no sun.Work has to be done.Postmen like doctors go from house to house.”