“It's human to have a secret, but it's just as human to reveal it sooner or later.”

“You put too much stock in human intelligence, it doesn't annihilate human nature.”

“You go to someone and you think, 'I'll tell him this.' But why? The impulse is that the telling is going to relieve you. And that's why you feel awful later--you've relieved yourself, and if it truly is tragic and awful, it's not better, it's worse---the exhibitionism inherent to a confession has only made the misery worse.”

“...The end is so immense, it is its own poetry. It requires little rhetoric. Just state it plainly.”

“Don't judge it. Just write it. Don't judge it. It's not for you to judge it.Interview in Esquire Magazine 10/10”

“Now obviously, in peacetime a one-legged catcher, like a one-armed outfielder (such as the Mundys had roaming right), would have been at the most a curiosity somewhere down in the dingiest town in the minors - precisely where Hot had played during the many years that the nations of the world lived in harmony. But it is one of life's grisly ironies that what is catastrophe for most of mankind, invariably works to the advantage of a few who live on the fringes of the human community. On the other hand, it is a grisly irony to live on the fringes of the human community.”

“Because we don't know, do we? Everyone knows… How what happens the way it does? What underlies the anarchy of the train of events, the uncertainties, the mishaps, the disunity, the shocking irregularities that define human affairs? Nobody knows. 'Everyone knows' is the invocation of the cliché and the beginning of the banalization of experience, and it's the solemnity and the sense of authority that people have in voicing the cliché that's so insufferable. What we know is that, in an unclichéd way, nobody knows anything. You can't know anything. The things you know you don't know. Intention? Motive? Consequence? Meaning? All the we don't know is astonishing. Even more astonishing is what passes for knowing.”