“So. Now you know the worst thing I have ever done. I fucked my own family's dinner.”

“Oh Mickey, it was wonderful, it was fun - the whole kitten and kaboozle. It was like living. And to be denied that whole part would be a great loss. You gave it to me. You gave me a double life. I couldn't have endured with just one."I'm proud of you and your double life."All I regret", she said, crying again, crying with him, the two of them in tears..."is that we couldn't sleep together too many nights. To commingle with you. Commingle?"Why not."I wish tonight you could spend the night."I do, too. But I'll be here tomorrow night."I meant it up at the Grotto. I didn't want to fuck any more men even without the cancer. I wouldn't do that even if I was alive."You are alive. It is here and now. It's tonight. You're alive."I wouldn't do it. You're the one I always loved fucking. But I don't regret that I have fucked many. It would have been a great loss to have had otherwise. Some of them, they were sort of wasted times. You must have that, too. Haven't you? With women you didn't enjoy?"Yes."Yes, I had experiences where the men would just want to fuck you whether they cared about you or not. That was always harder for me. I give my heart, I give my self, in my fucking."You do indeed."And then, after just a little drifting, she fell asleep and so he went home - "I'm leaving now" - and within two hours she threw a clot and was dead.So those were her last words, in English anyway. I give my heart, I give my self, in my fucking. Hard to top that.To commingle with you, Drenka, to commingle with you now.”

“I would browse for half an hour or so in the secondhand bookstores in the neighborhood. Owning my own 'library' was my only materialistic ambition; in fact, trying to decide which two of these thousands of books to buy that week, I would frequently get so excited that by the time the purchase was accomplished I had to make use of the bookseller's toilet facilities. I don't believe that either microbe or laxative has ever affected me so strongly as the discovery that I was all at once the owner of a slightly soiled copy of Empson's Seven Types of Ambiguity in the original English edition.”

“...I finally went back to my seat in the second row and sat there doing what I've done throughout my professional life: I tried to think, first, how to make credible a somewhat extreme, if not outright ridiculous story, and, next, how, after telling it, to fortify and defend myself from the affronted who read into the story an intention having perhaps to do less with the author's perversity than with their own.”

“I can lie about my name, I can lie about my school, but how am I going to lie about this fucking nose? "You seem like a very nice person Mr. Porte-Noir, but why do you go around covering the middle of your face like that?" Because suddenly it has taken off, the middle of my face! Because gone is the button of my childhood years, that pretty little thing that people used to look at in my carriage, and lo and behold, the middle of my face has begun to reach out towards God. Porte-Noir and Parsons my ass, kid, you have got J-E-W written right across the middle of your face...”

“In school we chanted, along with our teacher, I am the Captain of my fate, I am the Master of my soul, and meanwhile, within my own body, an anarchic insurrection had been launched by one of my privates- which I was helpless to put down!”

“Because we don't know, do we? Everyone knows… How what happens the way it does? What underlies the anarchy of the train of events, the uncertainties, the mishaps, the disunity, the shocking irregularities that define human affairs? Nobody knows. 'Everyone knows' is the invocation of the cliché and the beginning of the banalization of experience, and it's the solemnity and the sense of authority that people have in voicing the cliché that's so insufferable. What we know is that, in an unclichéd way, nobody knows anything. You can't know anything. The things you know you don't know. Intention? Motive? Consequence? Meaning? All the we don't know is astonishing. Even more astonishing is what passes for knowing.”