“Problem, purpose, conflict, goal. Use them. Think about them while you are in the planning phase of your novel; keep these elements at the back of your mind to guide you while you write. When you have written a scene, make sure they are all there, or that if one or another is missing, it is intentional and the effect is what you want.”

“Let today be the day you finally stop having a conflict between your actions and your goals. When you align your greatest intent with purposeful action, you create a universal symphony serenading your success!”

“Write down everything you remember. You’ll want to have it written down to look back on later, when your mind sands all the sharp edges off your memory and makes it into a dream that it will have you believe is true.”

“If you give orders and explain nothing, you might get obedience, but you'll get no creativity. If you tell them your purpose, then when your original plan is shown to be faulty, they'll find another way to achieve your goal. Explaining to your men doesn't weaken their respect for you, it proves your respect for them.”

“Some experts suggest you announce that you have a gun and state your intent to use it. The theory assumes the home intruder would rather avoid armed conflict and flee the scene. I subscribe to the “surprise them with a bullet” technique.”

“When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.”