“A comma . . . catches the gentle drift of the mind in thought, turning in on itself and back on itself, reversing, redoubling, and returning along the course of its own sweet river music; while the semicolon brings clauses and thoughts together with all the silent discretion of a hostess arranging guests around her dinner table.”

“...Bhutan all but bases its identity upon its loneliness, and its refusal to b assimilated into India, or Tibet, or Nepal. Vietnam, at present, is a pretty girl with her face pressed up against the window of the dance hall, waiting to be invited in; Iceland is the mystic poet in the corner, with her mind on other things. Argentina longs to be part of the world it left and, in its absence, re-creates the place it feels should be its home; Paraguay simply slams the door and puts up a Do Not Disturb sign. Loneliness and solitude, remoteness and seclusion, are many worlds apart.”

“I loved the quiet places in Kyoto, the places that held the world within a windless moment. Inside the temples, Nature held her breath. All longing was put to sleep in the stillness, and all was distilled into a clean simplicity.The smell of woodsmoke, the drift of incense; a procession of monks in black-and-gold robes, one of them giggling in a voice yet unbroken; a touch of autumn in the air, a sense of gathering rain.”

“What more could one ask of a companion? To be forever new and yet forever steady. To be strange and familiar all at once, with enough change to quicken my mind, enough steadiness to give sanctuary to my heart. The books on my shelf never asked to come together, and they would not trust or want to listen to one another; but each is a piece of a stained-glass whole without which I couldn’t make sense to myself, or to the world outside.”

“Nw a kind of no-man's-land occupied by a neo-Elizabethan hugger-mugger of racketeers, drug dealers, gangsters and abortionists, the shark-toothed area seemed only a rowdier version of the city all around — a freewheeling, free-spending center of free enterprise.”

“It's kind of spooky sometimes,' a Canadian lawyer said to me one day. 'There you are, in the Kim Do Hotel, it's ninety-three degrees outside, and it's April eighth, and you're listening to a Vietnamese cover version of Jingle Bells.”

“You go into the dark to get away from what you know, and if you go far enough, you realize, suddenly, that you'll never really make it back into the light.”