“You know that the beginning is the most important part of any work, especially in the case of a young and tender thing; for that is the time at which the character is being formed and the desired impression is more readily taken....Shall we just carelessly allow children to hear any casual tales which may be devised by casual persons, and to receive into their minds ideas for the most part the very opposite of those which we should wish them to have when they are grown up?We cannot....Anything received into the mind at that age is likely to become indelible and unalterable; and therefore it is most important that the tales which the young first hear should be models of virtuous thoughts....”

“The beginning is the most important part of any work.”

“The beginning is the most important part of the work.”

“In which, if any, of these constitutions do we find the art of ruling being practiced in the actual government of men? What art is more difficult to learn? But what art is more important to us?”

“[there are] two kinds of things the nature of which it would be quite wonderful to grasp by means of a systematic art...the first consists in seeing together things that are scattered about everywhere and collecting them into one kind, so that by defining each thing we can make clear the subject of any instruction we wish to give...[the second], in turn, is to be able to cut up each kind according to its species along its natural joints, and to try not to splinter any part, as a bad butcher might do...phaedrus, i myself am a lover of these divisions and collections, so that i may be able to think and to speak.”

“The mind which is most capable of receiving impressions is very often the least capable of drawing conclusions.”

“The lesser mysteries of loveFor he who would proceed aright in this matter should begin in youth to visit beautiful form; and first, if he be guided by his instructor aright, to love one such form only--out of that he should create fair thoughts; and soon he will of himself perceive that the beauty of one form is akin to the beauty of another; and then if beauty of form in general is his pursuit, how foolish would he be not to recognize that the beauty in every form is one and the same! And when he perceives this he will abate his violent love of the one, which he will despise and deem a small thing, and will become a lover of all beautiful forms; in the next stage he will consider that the beauty of the mind is more honorable than the beauty of the outward form.”