“A man looks down at the red paint on his hands and wonders for a moment if he’s killed his wife and this is her blood or maybe he’s just painted the garden bench red, that’s all. He thinks it is a strange thought and carries on digging the hole he’s digging in the back garden. He whistles. He writes this all down in his moleskin diary, later that evening. His wife should be back from work by now but she isn’t.”

“On a distant battlefield, somewhere in the Middle East, Sergeant Jackson is sick of this fucking war and stands up from behind the trench he’s hiding in, ignores the pleas of his squad mates to get down and starts to play the electric guitar he’s insisted he bring into battle with him. He plays a song: his father’s favourite. He’s spent years learning it and he thinks it’s beautiful. The first bullet kills him. Someone takes a picture as he falls. A dying soldier clutching his electric guitar.”

“There’s a boiling pot of paranoia in the pit of his stomach. That slow, heavy weight he always has when he leaves the house, when he’s in the open and he’s carrying something, even if it’s just one vial of Sadness. He feels vulnerable. He knows if they stop him or the train, they’ll search everyone and give all of them a hard time.He just wants to get home without trouble. That’s all he’s ever wanted. To ignore the rest of the world, enjoy the Sadness [...]”

“A plane flies overhead and inside it is a writer who has spent most of his life as a law clerk, even though he’s always known deep down that he’s a writer. For the first time, he’s worked out what he wants to write, what the truth really is. He begs a napkin and a pen off the air hostess and he writes down the most beautiful sentence ever written, as the engine catches fire outside and the plane starts its plummet to the ground. It doesn’t matter to him. It’s the only sentence he’s ever written and it is the last and no part of him cares. The sentence falls through the air with singed, black edges and comes to rest in a tree, in a park, miles away. One day, around ten years from now, an old widow of an astronaut will find it when a strong breeze finally blows it from its hiding place. She will read it and she will weep.”

“I gasp, and his mouth swoops down. He’s kissing me, violently. Briefly our teeth clash, then his tongue is in my mouth. Desire explodes like the Fourth of July throughout my body, and I’m kissing him back, matching his fervor, my hands knotting in his hair, pulling it, hard. He groans, a low sexy sound in the back of his throat that reverberates through me, and his hand moves down my body to the top of my thigh, his fingers digging into my flesh through the plum dress. I pour all the angst and heartbreak of the last few days into our kiss, binding him to me, and it hits me—in this moment of blinding passion—he’s doing the same, he feels the same.”

“He felt something trickle down his face and he wiped it away irritably. When he looked at the back of his hand, he found trails of red. He had never cried in his life; in fact, he could not cry with no tear ducts. But now, at last, he was. He was crying tears of blood. For her.”

“She looked in the mirror and her hopes fell. “Our friend is behind us again and he’s coming up fast. Closing the distance.”Then he knows we’re on to him.”Christ! He’s got a gun, Red! He’s stuck his arm out the window.”Don’t worry,” Red told her. “Shooting a pistol left-handed from a moving car at another moving car at sixty miles an hour at this distance? Hell, he’d be lucky to hit that mountain.”There was a sharp crack and the rear window disintegrated into flashing shards. Something buzzed in the air between them and smashed into the tapedeck. Fee howled and ducked into his console.Unless,” Red continued thoughtfully, “that’s Orvid Crayle behind us. He’s very good.”