“My outlook was so limited that I assumed that all deviates were openly despised and rejected. Their grief and their fear drew my melancholy nature strongly. At first I only wanted to wallow in their misery, but, as time went by, I longed to reach its very essence. Finally I desired to represent it. By this process I managed to shift homosexuality from being a burden to being a cause. The weight lifted and some of the guilt evaporated.”

“I was from birth an object of mild ridicule because of my movements - especially the perpetual flutter of my hands - and my voice. Like the voices of a number of homosexuals, this is an insinuating blend of eagerness and caution in which even such words as "hello" and "goodbye" seem not so much uttered as divulged. But these natural outward and visible signs of inward and spiritual disgrace were not enough. People could say that I was ignorant of them or was trying without success to hide them. I wanted it to be known that I was not ashamed and therefore had to display symptoms that could not be thought to be accidental.”

“So black was the way ahead that my progress consisted of long periods of inert despondency punctuated by spasmodic lurches forward towards any small chink of light that I thought I saw ... As the years went by, it did not get lighter but I became accustomed to the dark.”

“I have known female whores who spoke very bitterly of their calling. "If they don't like my face, they can put a cushion over it. I know it's not that they're interested in." But to the boys this profession never seemed shameful. It was their daytime occupations for which they felt the need to apologize. In some instances, these were lower class or humdrum or, worst of all, unfeminine. At least whoring was never that.”

“In the cafe there was a lot of stylized cattiness, but this was never unkindly meant. Nothing at all was meant by it. It was a formal game of innuendos about other people being older than they said, about their teeth being false and their hair being a wig. Such conversation was thought to be smart and so very feminine. It was better, I need hardly say, to seem like a truly appalling woman than not like a woman at all.”

“As soon as I put my uniform on, the rest of my life solidified around me like a plaster cast. From that moment on, my friends were anyone who could put up with the disgrace; my occupation, any job from which I was not given the sack; my playground, any cafe or restaurant from which I was not barred or any street corner from which the police did not move me on.”

“I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called “the scene.” There appears to be a particular divide in literature that has “description” and all it implies, as its focus. Some people hate “fancy writing,” and just want to “cut to the chase,” and so on. This attitude deeply irritates me. If you can’t try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it’s usually the enemies of “fancy writing” who also seem to deplore variety and believe that there’s only one way to write—without adverbs etc. etc.”