“The average woman, unless she is particularly ill-favored, regards loving and being loved as a normal part of life. If a man says he loves her she believes him. Indeed some women are convinced they are adored by men who can be seen by all to be running in the opposite direction. For homosexuals this is not so. Love and admiration have to be won against heavy odds. Any declaration of affection requires proof. So many approaches made to them are insincere - even hostile. What better proof of love can there be than money? A ten-shilling note showed incontrovertibly just how mad about you a man is. Even in the minds of some women a confusion exists between love and money if the quantity is large enough. They evade the charge of mercenariness by using the cash they extort from one man to deal a bludgeoning blow of humiliation upon another. Some homosexuals attempt this gambit, but it is risky. The giving of money is a masculine act and blurs the internal image.”

“The whole set of stylizations that are known as "camp" (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about "camp" is that it has been fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, "Either she scored her last social triumph in 1926 or it is a man in drag.”

“Like the voice of a number of homosexuals, this is an insinuating blend of eagerness and caution in which even such words as "hello" and "goodbye" seem not so much uttered as divulged.”

“Perhaps "camp" is set in the 'twenties because after that differences between the sexes - especially visible differences - began to fade. This, of course, has never mattered to women in the least. They know they are women. To homosexuals, who must, with every breath they draw, with every step they take, demonstrate that they are feminine, it is frustrating. They look back in sorrow to that more formal era and try to relive it.”

“My outlook was so limited that I assumed that all deviates were openly despised and rejected. Their grief and their fear drew my melancholy nature strongly. At first I only wanted to wallow in their misery, but, as time went by, I longed to reach its very essence. Finally I desired to represent it. By this process I managed to shift homosexuality from being a burden to being a cause. The weight lifted and some of the guilt evaporated.”

“In the cafe there was a lot of stylized cattiness, but this was never unkindly meant. Nothing at all was meant by it. It was a formal game of innuendos about other people being older than they said, about their teeth being false and their hair being a wig. Such conversation was thought to be smart and so very feminine. It was better, I need hardly say, to seem like a truly appalling woman than not like a woman at all.”

“Style is not the man; it is something better. It is a dizzy, dazzling structure that he erects about himself using as building materials selected elements from his own character.”