“Without an element of vulgarity, no man can be a work of art...I have to try and think what an artist is, apart from a hooligan who cannot live within his income of praise.”
In this quote, Quentin Crisp suggests that true artistry requires an element of vulgarity or rebellion against societal norms. He argues that without this rebellious nature, an artist cannot truly be considered a work of art. By contrasting an artist with a hooligan who cannot handle praise, Crisp raises questions about the role of controversy and defiance in the artistic process. Ultimately, he challenges the traditional idea of what it means to be an artist, advocating for a more rebellious and daring approach to creativity.
In today's society, the quote by Quentin Crisp about art and vulgarity still holds significance. It reminds us that true art often challenges societal norms and pushes boundaries. Artists continue to create work that may be considered provocative or controversial, as they strive to evoke emotions and spark conversations. The idea of an artist as someone who doesn't conform to expectations and lives outside the confines of mainstream acceptance is still prevalent today. Artists who dare to be different and defy conventions are often the ones who create works that leave a lasting impact on society.
“Style is not the man; it is something better. It is a dizzy, dazzling structure that he erects about himself using as building materials selected elements from his own character.”
“Ask yourself, if there was to be no blame, and if there was to be no praise, who would I be then?”
“If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.”
“All the golden societies of the past to which historians point and turn their wistful smiles have had what patience-players would call a discard pile. They operated on two levels with a slave class who worked, ate, slept, and died and a leisured class who reclined on one elbow and spoke. Naturally it is from this latter group that we learn what life at that time was like. It often makes charming reading but we can hardly take it to be the whole truth.”
“I like living in one room and have never known what people do with the room they are not in.”
“In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.”