“There’s something about human nature which draws us to people who are authentic and makes us want to repel those that aren’t.”

“The drawing is also a reminder that there’s an artist within each of us, and we must encourage that artist to do the work, to make something that matters, regardless of anything else that is going on.”

“Artists use frauds to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on.”

“All I can think about is that boy’s skull, bashed in, the way his head was caved in and how it wasn’t like a heid at all, just like a broken silly puppet face, about how when you destroy something, when you brutalise it, it always looks warped and disfigured and slightly unreal and unhuman and that’s what makes it easier for you to go on brutalising it, go on fucking it and hurting it and mashing until you’ve destroyed it completely, proving that destruction is natural in the human spirit, that nature has devices to enable us to destroy, to make it easier for us; a way of making righteous people who want to act do things without the fear of consequence, a way of making us less than human, as we break the laws . . .”

“Those of us who are most genuinely repelled by war and violence are also those who are most likely to decide that some things, after all, are worth fighting for.”

“Nobody hates us as ourselves. In their minds we're not human... They don't hate us because we did something or said something. They make us stand for an evil they invent and then they want to kill it in us.”