“A kind of memory that tells usthat what we're now striving for was oncenearer and truer and attached to uswith infinite tenderness. Here all is distance,there it was breath. After the first homethe second one seems draughty and strangely sexed.”

“A complete sharing between two people is an impossibility and whenever it seems, nevertheless, to exist, it is a narrowing, a mutual agreement which robs either one member or both of his fullest freedom and development. But, once the realization is accepted that, even between the closest human beings, infinite distances continue to exist, a wonderful living side by side can grow up, if they succeed in loving the distance between them which makes it possible for each to see the other whole and against a wide sky!”

“Once the realization is accepted that even between the closest human beings infinite distances continue, a wonderful living side by side can grow, if they succeed in loving the distance between them which makes it possible for each to see the other whole against the sky.”

“Depict your sorrows and desires, your passing thoughts and beliefs in some kind of beauty- depict all that with heartfelt, quiet, humble sincerity and use to express yourself the things that surround you,the images of your dreams and the objects of your memory. If your everyday life seems poor to you, do not accuse it; accuse yourself, tell yourself you are not poet enough to summon up its riches; since for the creator there is no poverty and no poor or unimportant place.”

“At last, after weeks of daily fending off, you get your bearings back, and somewhat dazed you tell yourself: No, there is not more beauty here than elsewhere, and all these objects which generation after generation have continued to admire, which inexpert hands have mended and restored, they mean nothing, and are nothing and have no heart and no value; but there is a great deal of beauty here, because there is beauty everywhere.”

“But because truly being here is so much; because everything here apparently needs us, this fleeting world, which in some strange way keeps calling to us. Us, the most fleeting of all.”

“that Rome (if one does not yet know it) has an oppressingly sad effect for the first few days: through the lifeless and doleful museum atmosphere it exhales, through the abundance of its pasts, fetched-forth and laboriously upheld pasts (on which a small present subsists), through the immense overestimation, sustained by savants and philologists and copied by the average traveler in Italy, of all these disfigured and dilapidated things, which at bottom are after all no more than chance remains of another time and of a life that is not and must not be ours. Finally, after weeks of being daily on the defensive, one finds oneself again, if still somewhat confused, and one says to oneself: no, there is not more beauty here than elsewhere, and all these objects, continuously admired by generations and patched and mended by workmen's hands, signify nothing, are nothing, and have no heart and no value; -- but there is much beauty here, because there is much beauty everywhere.”