“How can I keep my soul in me, so thatit doesn’t touch your soul? How can I raiseit high enough, past you, to other things?I would like to shelter it, among remotelost objects, in some dark and silent placethat doesn’t resonate when your depths resound.Yet everything that touches us, me and you,takes us together like a violin’s bow,which draws one voice out of two separate strings.Upon what instrument are we two spanned?And what musician holds us in his hand?Oh sweetest song.- Love Song”
“How can I keep my soul in me, so that it doesn't touch your soul? How can I raise it high enough, past you, to other things?”
“God speaks to each of us as he makes us,then walks with us silently out of the night.These are the words we dimly hear:You, sent out beyond your recall,go to the limits of your longing.Embody me.Flare up like a flameand make big shadows I can move in.Let everything happen to you: beauty and terror.Just keep going. No feeling is final.Don't let yourself lose me.Nearby is the country they call life.You will know it by its seriousness.Give me your hand.”
“My life is not this steeply sloping hour,in which you see me hurrying.Much stands behind me; I stand before it like a tree;I am only one of my many mouths,and at that, the one that will be still the soonest.I am the rest between two notes,which are somehow always in discordbecause Death’s note wants to climb over—but in the dark interval, reconciled,they stay there trembling.And the song goes on, beautiful.”
“Ask no one to speak of you, not even contemptuously. And when time passes and you notice how your name is spreading around among people, don't take it more seriously than any of the other things you find on their lips. Think: your name has turned bad, and get rid of it. Take on another, any other, so that God can call you in the night. And conceal it from everyone.”
“But this is what ... people are so often and disastrously wrong in doing: they (who by their very nature are impatient) fling themselves at each other when love takes hold of them, they scatter themselves, just as they are, in all their messiness, disorder, bewilderment ...And what can happen then? What can life do with this heap of half broken things that they would like to call their happiness, and their futures?And so each of them loses himself to the other for the sake of the other person, and loses the other. And loses the vast possibilities ... in exchange for an unfruitful confusion, out of which nothing more can come, nothing but a bit of disgust, disappointment and poverty.”
“I am so afraid of people's words.They describe so distinctly everything:And this they call dog and that they call house,here the start and there the end.I worry about their mockery with words,they know everything, what will be, what was;no mountain is still miraculous;and their house and yard lead right up to God.I want to warn and object: Let the things be!I enjoy listening to the sound they are making.But you always touch: and they hush and stand still.That's how you kill.”