“How they are all about, these gentlemenIn chamberlains' apparel, stocked and laced,Like night around their order's star and gemAnd growing ever darker, stony-faced,And these, their ladies, fragile, wan, but proppedHigh by their bodice, one hand loosely dropped,Small like its collar, on the toy King-Charles:How they surround each one of these who stoppedTo read and contemplate the objects d'art,Of which some pieces still are theirs, not ours.Whit exquisite decorum they allow usA life of whose dimensions we seem sureAnd which they cannot grasp. They were aliveTo bloom, that is be fair; we, to mature,That is to be of darkness and to strive.”

“O how all things are far removed and long have passed away. I do believe the star, whose light my face reflects, is dead and has been so for many thousand years. I had a vision of a passing boat and heard some voices saying disquieting things. I heard a clock strike in some distant house... but in which house?... I long to quiet my anxious heart and stand beneath the sky's immensity. I long to pray... And one of all the stars must still exist. I do believe that I would know which one alone endured, and which like a white city stands at the ray's end shining in the heavens. ”

“Nothing could be less conducive to reaching an art-work than critical remarks:it's always simply a matter of more or less fortunate misunderstandings. Everything cannot be so easily grasped and conveyed as we are generally led to believe; most events are unconveyable and come to pass in a space that no word has ever penetrated; more unconveyable than all else are art-works, whose mysterious existences, whose lives run alongside ours, which perishes, whereas theirs endure.”

“We cannot know his legendary headwith eyes like ripening fruit. And yet his torsois still suffused with brilliance from inside,like a lamp, in which his gaze, now turned to low,gleams in all its power. Otherwisethe curved breast could not dazzle you so, nor coulda smile run through the placid hips and thighsto that dark center where procreation flared.Otherwise this stone would seem defacedbeneath the translucent cascade of the shouldersand would not glisten like a wild beast's fur:would not, from all the borders of itself,burst like a star: for here there is no placethat does not see you. You must change your life.”

“How can I keep my soul in me, so thatit doesn’t touch your soul? How can I raiseit high enough, past you, to other things?I would like to shelter it, among remotelost objects, in some dark and silent placethat doesn’t resonate when your depths resound.Yet everything that touches us, me and you,takes us together like a violin’s bow,which draws one voice out of two separate strings.Upon what instrument are we two spanned?And what musician holds us in his hand?Oh sweetest song.- Love Song”

“And many a day's hours were like that. As if someone fashioned my likeness somewherein order to torment it slowly with needles.I felt each sharp prick of his playing,and it was: as if a rain fell on mein which all things change.”

“The only sadnesses that are dangerous and unhealthy are the ones that we carry around in public in order to drown them out with the noise; like diseases that are treated superficially and foolishly, they just withdraw and after a short interval break out again all the more terribly; and gather inside us and are life, are life that is unlived, rejected, lost, life that we can die of.”