“I would like to sing someone to sleep,to sit beside someone and be there.I would like to rock you and sing softlyand go with you to and from sleep.I would like to be the one in the housewho knew: The night was cold.And I would like to listen in and listen outinto you, into the world, into the woods.The clocks shout to one another striking,and one sees to the bottom of time.And down below one last, strange man walks byand rouses a strange dog.And after that comes silence.I have laid my eyes upon you wide;and they hold you gently and let you gowhen something stirs in the dark.”

“Whoever you are: in the evening step outof your room, where you know everything; yours is the last house before the far-off:whoever you are. With your eyes, which in their wearinessbarely free themselves from the worn-out threshold, you lift very slowly one black treeand place it against the sky: slender, alone.And you have made the world. And it is hugeand like a word which grows ripe in silence. And as your will seizes on its meaning,tenderly your eyes let it go...”

“We cannot know his legendary headwith eyes like ripening fruit. And yet his torsois still suffused with brilliance from inside,like a lamp, in which his gaze, now turned to low,gleams in all its power. Otherwisethe curved breast could not dazzle you so, nor coulda smile run through the placid hips and thighsto that dark center where procreation flared.Otherwise this stone would seem defacedbeneath the translucent cascade of the shouldersand would not glisten like a wild beast's fur:would not, from all the borders of itself,burst like a star: for here there is no placethat does not see you. You must change your life.”

“How can I keep my soul in me, so thatit doesn’t touch your soul? How can I raiseit high enough, past you, to other things?I would like to shelter it, among remotelost objects, in some dark and silent placethat doesn’t resonate when your depths resound.Yet everything that touches us, me and you,takes us together like a violin’s bow,which draws one voice out of two separate strings.Upon what instrument are we two spanned?And what musician holds us in his hand?Oh sweetest song.- Love Song”

“It's ridiculous. Here I sit in my little room, I, Brigge, who have got to be twenty-eight years old and about whom no one knows. I sit here and am nothing. And yet this nothing begins to think and thinks, up five flights of stairs, these thoughts on a gray Paris afternoon:Is it possible, this nothing thinks, that one has not yet seen, recognized, and said anything real and important? Is it possible that one has had thousands of years of time to look, reflect, and write down, and that one has let the millennia pass away like a school recess in which one eats one's sandwich and an apple?Yes, it is possible....Is it possible that in spite of inventions and progress, in spite of culture, religion, and worldly wisdom, that one has remained on the surface of life? Is it possible that one has even covered this surface, which would at least have been something, with an incredibly dull slipcover, so that it looks like living-room furniture during the summer vacation?Yes, it is possible.Is it possible that the whole history of the world has been misunderstood? Is it possible that the past is false because one has always spoken of its masses, as if one was telling about a coming together of many people, instead of telling about the one person they were standing around, because he was alien and died?Yes, it is possible.Is it possible that one believed one has to make up for everything that happened before one was born? Is it possible one would have to remind every single person that he arose from all earlier people so that he would know it, and not let himself be talked out of it by the others, who see it differently?Yes, it is possible.Is it possible that all these people know very precisely a past that never was? Is it possible that everything real is nothing to them; that their life takes its course, connected to nothing, like a clock in an empty room?Yes, it is possible.Is it possible that one knows nothing about girls, who are nevertheless alive? Is it possible that one says "the women", "the children", "the boys", and doesn't suspect (in spite of all one's education doesn't suspect) that for the longest time these words have no longer had a plural, but only innumerable singulars?Yes, it is possible.Is it possible that there are people who say "God" and think it is something they have in common? Just look at two schoolboys: one buys himself a knife, and the same day his neighbor buys one just like it. And after a week they show each other their knives and it turns out that they bear only the remotest resemblance to each other-so differently have they developed in different hands (Well, the mother of one of them says, if you boys always have to wear everything out right away). Ah, so: is it possible to believe that one could have a God without using him?Yes, it is possible.But, if all this is possible, has even an appearance of possibility-then for heaven's sake something has to happen. The first person who comes along, the one who has had this disquieting thought, must begin to accomplish some of what has been missed; even if he is just anyone, not the most suitable person: there is simply no one else there. This young, irrelevant foreigner, Brigge, will have to sit himself down five flights up and write, day and night, he will just have to write, and that will be that.”

“You darkness, that I come from,I love you more than all the firesthat fence in the world,for the fire makesa circle of light for everyone,and then no one outside learns of you.But the darkness pulls in everything:shapes and fires, animals and myself,how easily it gathers them! -powers and people -and it is possible a great energyis moving near me.I have faith in nights.”

“I would describe myself like a landscape I’ve studied at length, in detail; like a word I’m coming to understand; like a pitcher I pour from at mealtime; like my mother’s face; like a ship that carried me when the waters raged.”