“Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition.”

“Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.”

“Yes, he knew that we was withdrawing from everything: not merely from human beings. A moment more and everything will have lost its meaning, and that table and the cup, and the chair to which he clings, all the near and the commonplace, will have become unintelligible, strange and heavy. So he sat there and waited until it should have happened. And defended himself no longer.”

“A man taken out of his room and, almost without preparation or transition, placed on the heights of a great mountain range, would feel something like that: an unequalled insecurity, an abandonment to the nameless, would almost annihilate him. He would feel he was falling or think he was being catapulted out into space or exploded into a thousand pieces: what a colossal lie his brain would have to invent in order to catch up with and explain the situation of his senses.”

“But not you, O girl, nor yet his mother,stretched his eyebrows so fierce with expectation.Not for your mouth, you who hold him now,did his lips ripen into these fervent contours.Do you really think your quiet footstepscould have so convulsed him, you who move like dawn wind?True, you startled his heart; but older terrorsrushed into him with that first jolt to his emotions.Call him . . . you'll never quite retrieve him from those dark consorts.Yes, he wants to, he escapes; relieved, he makes a homein your familiar heart, takes root there and begins himself anew.But did he ever begin himself?”

“THE UNICORN: The saintly hermit, midway through his prayersstopped suddenly, and raised his eyes to witnessthe unbelievable: for there before him stoodthe legendary creature, startling white, thathad approached, soundlessly, pleading with his eyes.The legs, so delicately shaped, balanced abody wrought of finest ivory. And ashe moved, his coat shone like reflected moonlight.High on his forehead rose the magic horn, the signof his uniqueness: a tower held upright by his alert, yet gentle, timid gait.The mouth of softest tints of rose and grey, whenopened slightly, revealed his gleaming teeth,whiter than snow. The nostrils quivered faintly:he sought to quench his thirst, to rest and find repose.His eyes looked far beyond the saint's enclosure,reflecting vistas and events long vanished,and closed the circle of this ancient mystic legend.”

“His vision, from the constantly passing bars,has grown so weary that it cannot holdanything else. It seems to him there area thousand bars, and behind the bars, no world.As he paces in cramped circles, over and over,the movement of his powerful soft stridesis like a ritual dance around a centerin which a mighty will stands paralyzed.Only at times, the curtain of the pupilslifts, quietly. An image enters in,rushes down through the tense, arrested muscles,plunges into the heart and is gone.”