“Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.”

“Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his conscious reflection, his progressive steps, mysterious even to himself, should enter so swiftly into the work that he is unable to recognize them in the moment of transition.”

“And we, spectators always, everywhere,looking at, never out of, everything!It fills us. We arrange it. It collapses.We re-arrange it, and collapse ourselves.Who's turned us round like this, so that we always,do what we may, retain the attitudeof someone who's departing? Just as he,on the last hill, that shows him all his valleyfor the last time, will turn and stop and linger,we live our lives, for ever taking leave.”

“They all have tired mouthsand bright seamless souls.And a longing (as for sin)sometimes haunts their dreams.They are almost all alike; in God's gardens they keep still,like many, many intervalsin his might and melody.Only when they spread their wingsare they wakers of a wind:as if God with his broad sculptor-hands leafed through the pagesin the dark book of the beginning.”

“To love is good, too: love being difficult. For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation...Love is a high inducement to the individual to ripen, to become something in himself, to become world for himself for another's sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.”

“There comes a time when we have deposited in it all our firstlings, all beginning, all confidence, the seeds of all that which might perhaps some day come to be. And suddenly we realize: All that has sunk into a deep sea, and we don't even know just when. We never noticed it. As though some one were to collect all his money, and buy a feather with it and stick the feather in his hat: whish!--the first breeze will carry it away. Naturally he arrives home without his feather, and nothing remains for him but to look back and think when it would have flown.”

“And your doubt can become a good quality if you train it. It must become knowing, it must become criticism. Ask it, whenever it wants to spoil something for you, why something is ugly, demand proofs from it, test it, and you will find it perhaps bewildered and embarrased, perhaps also protesting. But don't give in, insist on arguments, and act in this way, attentive and persistent, every single time, and the day will come when, instead of being a destroyer, it will become one of your best workers--perhaps the most intelligent of all the ones that are building your life.”